11 global hits that busted the myth that black films don’t travel
In Hollywood, just four words are needed to end the prospects of a film with a predominantly African American cast: Black films don’t travel. Such a mantra has dead-ended countless scripts and limited diversity on and behind screens.
The belief is that films with black casts will be seen only by black audiences.
But black films — no matter how one defines the term — can and do perform well at the international box office.
Here are 11 films and film franchises led by black casts that became global hits, with at least $40 million in sales at the international* box office.
‘Coming to America,’ 1988
Domestic box office: $128.2 million
International: $160.6 million
Worldwide: $288.8 million
‘Boomerang,’ 1992
Domestic box office: $70.1 million
International: $61 million
Worldwide: $131.1 million
‘Bad Boys’ franchise, 1995, 2003
Domestic box office: $204.4 million
International: $210.3 million
Worldwide: $414.7 million
‘Blade’ franchise, 1998, 2000, 2004
Domestic box office: $204.8 million
International: $210.3 million
Worldwide: $415.1 million
‘Big Momma’s House’ franchise, 2000, 2006, 2011
Domestic box office: $225.7 million
International: $169.3 million
Worldwide: $395 million
‘Ray,’ 2004
Domestic box office: $75.3 million
International: $49.4 million
Worldwide: $124.7 million
‘Dreamgirls,’ 2006
Domestic box office: $103.4 million
International: $51.6 million
Worldwide: $155 million
‘Lee Daniels’ The Butler,’ 2013
Domestic box office: $116.6 million
International: $60 million
Worldwide: $176.6 million
‘Straight Outta Compton,’ 2015
Domestic box office: $161.2 million
International: $40.4 million
Worldwide: $201.6 million
‘Creed,’ 2015
Domestic box office: $109.8 million
International: $63.8 million
Worldwide: $173.6 million
‘Hidden Figures,’ 2016**
Domestic box office: $165.5 million
International: $48.8 million
Worldwide: $214.7 million
*Numbers according to Box Office Mojo
**Still in theaters
Get your life! Follow me on Twitter (@TrevellAnderson) or email me: [email protected].
ALSO:
Disproving the ‘black films don’t travel’ Hollywood myth
With ‘Love Jones,’ black love took center stage: An oral history
More to Read
Only good movies
Get the Indie Focus newsletter, Mark Olsen's weekly guide to the world of cinema.
You may occasionally receive promotional content from the Los Angeles Times.