Jennifer Lawrence, Bradley Cooper shine at ‘Silver Linings’ party

Bradley Cooper and Jennifer Lawrence seemed to be all smiles Wednesday night at a pre-Oscars party sponsored by Vanity Fair, Barneys New York and the Weinstein Co. in honor of “Silver Linings Playbook” and in support of the Glenholme School, a boarding school for special-needs students. Film director David O. Russell has said his work on the film was inspired by his experiences with his own son Matthew, who is a student at the school and who was also a guest at the party. The event was one of Vanity Fair’s Campaign Hollywood week-long series of charitable events leading up to the Oscars. Lawrence wore an asymmetrical, black and white Roland Mouret dress for the occasion. [Pop Sugar]

Oprah Winfrey, Alfre Woodard, Naomie Harris, Mara Brock Akil, Gabrielle Harris and Quvenzhane Wallis were honored on Thursday at the Essence Black Women in Hollywood 2013 Luncheon. [Society News L.A.]

Model Amber Rose and finance Wiz Khalifa welcomed a baby boy on Thursday. [People]

Mila Kunis, soon to be seen in “Oz the Great and Powerful,” has been named brand ambassador for Gemfields, the world’s largest producer of colored gemstones, and will star in its ad campaigns, the company announced via news release on Thursday.

Hailee Steinfeld is to be the 2013 Women in Film Max Mara Face of the Future Award recipient, it was announced Thursday as she appeared front row at the label’s Milan runway show, clad head to toe in Max Mara, of course. On the runway, the label showed fierce, boxy, bear-like coats (among other things). [The Cut]

Time’s Style and Design issue, on newsstands as of Friday, features a rare interview with designer Elsa Peretti on the essentials of style inside. But on the cover? Tina Fey. Say what? [Time]

Milan Fashion Week continues, and on Thursday Prada’s show was a headscratcher for some: The runway ran around the perimeter of the walls, with the audience on an island in the middle; asymmetrical clothes were shown with only some of the buttons buttoned; the models wore long, wet matted hair. All kind of post-apocalyptic. [The Cut]

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