Galleries

Reviews by David Pagel (D.P.) and Leah Ollman (L.O.). Compiled by Grace Krilanovich.

Critics’ Choices

John Baldessari: Blue Line (Holbein) One of the most sharply focused shows of recent memory. It’s also one of the most moving. Its two pieces, installed in three galleries, reveal a side of the 78-year-old artist often overshadowed by the irreverent wit and gee-whizzing of Baldessari’s hilariously deadpan pictures. Mortality and memory take center stage while leaving plenty of room for humor and happenstance. With no-nonsense efficiency -- and gracious generosity -- visitors are given the freedom to embark on freewheeling reflections about art’s place in life and the point of it all. The eloquent show makes ordinary moments extraordinary (D.P.). Margo Leavin Gallery, 812 N. Robertson Blvd., L.A. Tue.-Sat., 11 a.m.-5 p.m.; ends Sat. (310) 273-0603.

Continuing

Rodney McMillian: Succulent McMillian’s sculptures and video feel like dilute outtakes from the artist’s ongoing, resonant meditation on American history, race, power and the body. The floor of the central gallery is scattered with potted plants and tall painted columns. A black vinyl patchwork wall hanging is meant to depict a sphincter. This is a dismal show, scattered and slight (L.O.). Susanne Vielmetter Los Angeles Projects, 5795 W. Washington Blvd., Culver City. Tue.-Sat., 11 a.m.-6 p.m. and by appointment; ends Sat. (323) 933-2117.