The ‘Scottish Opera’
Young Chang
The cast and crew of Opera Pacific’s upcoming production of “Macbeth”
don’t fear the work’s supposed curse.
Lore surrounding the play says that calling the Shakespearean work by
its name brings bad luck. Many people substitute “the Scottish Play” or
“the Scottish Tragedy” for the story’s proper name.
Theater actors, for example, take the curse very seriously. Past
productions, dating back to as early as the 15th century, record
incidents of death, injuries, freak accidents and other unfortunate
happenings related to the show’s production.
Legend has it that William Shakespeare wrote the tragedy for King
James I, who was interested in demonology. “Macbeth” includes three
witches who cast spells -- some believe Shakespeare added this
supernatural touch to appeal to the king’s taste.
Despite the historical guesses, the cast and crew for next week’s run
of Giuseppe Verdi’s “Macbeth” at the Orange County Performing Arts Center
said they believe they’re home free. After all, theirs is an opera.
“The curse doesn’t really translate to singers,” said Andrew Richards,
who will play Macduff for the show’s two casts. “The piece isn’t done a
lot as an opera. It hasn’t had time to build up superstition.”
So far, with the exception of leading lady soprano Audrey Stottler
having to withdraw from the show because of a throat infection, nothing
seems to have fallen under the curse, artistic director John DeMain said.
Rebecca Copley will replace Stottler for the role of Lady Macbeth,
making her Opera Pacific debut.
DeMain, the show’s principal conductor, will stand behind the podium
for the production, which marks the beginning of the centennial year of
Verdi’s death.
“Lady Macbeth is the really difficult role because it requires a lot
of coloratura singing, flexibility in the voice, a big sound, an enormous
range,” DeMain said. Copley “is quite fantastic. Both of these ladies
have fantastic voices.”
He added that the play translates successfully into an opera,
retaining the essence of the story -- the thirst for power, the
willingness to achieve it at any cost, guilt and how it leads to
destruction -- coupled with a “beautiful score.”
“I see this opera as Verdi referred to it, as his personal favorite,”
DeMain said. “I think it’s because he found a way to express drama in
music in a way that hadn’t happened before.”
Colin Graham, a noted Shakespearean director, will stage the drama.
Joel Berlin designed and created the costumes, and Ramon Lopez designed
the set.
“It’s pretty thrilling to be working with Colin Graham,” said
Richards, a tenor. “He’s so widely renowned in the field. I’ve been
learning a lot.”
For Verdi, the dramatic portrayal of the characters was as important
to the piece as the singing. This was a breakthrough for the composer, as
opera in general was being taken to a more dramatic level, DeMain said.
“They acted in the previous period, but they acted with the
constraints put on them by the music, which was staid, unconventional
and, in a way, one-dimensional,” he added.
Berlin, who sprayed costumes this week with occasional splashes of
fake blood for characters that are murdered, said the opera version of
the play has been challenging in terms of costume design for one reason:
Opera is grand and larger than life; plays are intimate, smaller and
tighter.
“This show happened to be a very dark concept, and [the director]
wanted something dark and realistic,” Berlin said. “So I really tried to
actually still be operatic but still realistic at the same time, which is
not normal. It’s not standard.”
While collecting costumes for the show, Berlin had to call various
theaters that had staged “Macbeth.” He kept in mind their sensitivity to
the show’s title.
“Every theater I called, I had to say, ‘I’m doing the Scottish
Opera,”’ Berlin said.
FYI
WHAT: “Macbeth”
WHEN: 7:30 p.m. Tuesday, Thursday, Friday and Jan. 20, and 2 p.m.
Jan. 21.
WHERE: The Orange County Performing Arts Center, 600 Town Center
Drive, Costa Mesa
COST: $29-$107
CALL: (714) 740-7878
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