WORKING -- Dave Cua
Story by Alex Coolman; photo by Sean Hiller
HE IS
An artist of the automotive realm.
NOSE JOB
On a recent afternoon in a small garage off Monrovia Street in Costa
Mesa, Dave Cua was making some final adjustments to the nose of a 1973
Corvette Stingray -- a car with a cool, metallic turquoise finish that
made it look like some particularly refreshing variety of lozenge.
The car was impossibly sleek, with curves that the most liposucked of
Orange County starlets would envy. But the nose, Cua said, required
special attention.
“It’s not like the bumper is just going to jump out of the box and fit
on the car,” he said, displaying the new fiberglass model he had ready to
attach to the ‘Vette.
Cua does body work on cars. He does it by himself and he’s been doing
it for 11 years. His shop, virtually hidden from the road, is simply
called Dave’s Body & Frame.
FAMILY STYLE
Cua, 43, says he doesn’t mind if people don’t notice the place as
they’re driving by. He doesn’t need a lot of miscellaneous business
because he relies mostly on word of mouth. Plus, he doesn’t need a lot of
extra business because working on a few jobs a week is enough to keep him
busy.
On the wall of Cua’s shop is a small, black-and-white photograph of an
old couple leaning against a truck emblazoned with the logo “Warther’s
Garage” and then, in smaller letters, it says “Best is Cheapest.”
The old couple are Jake and Emma Warther, Cua’s grandparents. The
picture was taken in Ohio in the 1920s. And the business that Warther’s
Garage dealt with was more or less the same business the Cua still does
today.
“I was born into the body shop,” Cua said. “It’s kind of a family
deal.’
NO HACKS, PLEASE
The idea that “best is cheapest,” he says, is something that still
makes sense when it comes to cars. Lousy body work from an inferior shop
may cost less in the short run, but Cua argues that it’s also more likely
to fall apart.
And a hack job on a really gorgeous car can be as conspicuous as a
lousy face-lift, relying on body filler and a paint job to compensate for
a lack of artistry.
For Cua, such butchery would be sacrilege. Better to do it right the
first time, he said, and drive away with all curves intact.
“If people just look at their cars a little bit closer,” he said,
sounding slightly worried about the car-driving public, “they’d be able
to tell.”
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