Keepin’ it real
Alex Coolman
Doug Kershaw learned a lesson at an early age: If you want to
support yourself as a musician, you’d better put on a pretty good show.
Kershaw, who is known as “The Ragin’ Cajun” of the violin, started
playing the fiddle at age 5. Back then, he and his family played gigs for
$10 a pop to support themselves.
“When I was a young kid in these nightclubs,” Kershaw said, “the only
way we could make money is if [the audience] danced.”
Today, though the years have rewarded him with fame, he keeps that
initial lesson close to his heart.
Kershaw will play July 29 at the Orange County Fair, where
Newport-Mesa residents will get a chance to feel the Southern-tinged
boogie that’s kept the 64-year-old performer in bows and rosin.
The type of music Kershaw plays is a mixture of white Cajunstyles,
which emphasize the use of the accordion and violin, and the zydeco
syncopation that emerged from the black culture of Louisiana.
“It’s Cajun songs done by the blacks,” Kershaw said of the zydeco
feeling. “It’s got a little more rhythm to it, a different rhythm to it.”
In Kershaw’s hands, this style is not only rhythmic, but often
performed at a breakneck pace. The Ragin’ Cajun is famed for wearing out
bows at his shows as his furious fiddling frays horsehair into something
resembling a snarled mass of split ends.
The approach to playing, he said, is something he developed from a
combination of early influences and his own sense of what the music
should sound like.
As a child growing up in Tiel Ridge, La., Kershaw heard players such
as Harry “The Cajun Fiddle King” Choates on jukeboxes.
“I concentrated on why people liked these people,” Kershaw said. “I
tried to take a little from this person, a little from that person.”
But his way of playing has never become particularly clinical.
“Mostly it comes from my heart,” he said, “because I don’t pay
attention to what I do on the fiddle.”
One thing that has been deliberate, though, is his effort to keep the
music pure. Despite pressure from record companies to move in a more
mainstream direction, Kershaw has stuck to a very traditional sound.
“I do the Cajun, and I keep it as close to that as I can,” he said. “I
mean, I do everything, but when I do real Cajun, I do real Cajun.”
The result of this effort, over a period of many decades, has been
that Kershaw’s style of music, instead of becoming increasingly watered
down, has grown increasingly influential.
While Kershaw himself is not a mega-seller, he says you can hear his
sound swelling in mainstream music today.
“Mary Chapin Carpenter’s song, ‘Down at the Twist and Shout,”’ he
said. “That’s really Cajun.”
And the years of sticking to his musical guns have also meant that
Kershaw’s style has become distinct. His ragin’ sensibility informs
everything he plays.
“It doesn’t matter what I do,” he said. “I could do a Spanish song and
it would still come out like Doug Kershaw.”
WHAT: Doug Kershaw, “The Ragin’ Cajun”
WHERE: The Orange County Fair’s Arlington Theater, 88 Fair Drive,
Costa Mesa
WHEN: 7 p.m. Saturday
HOW MUCH: Free with fair admission
PHONE: (714) 708-FAIR (3247)
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