HE ISLifting heavy metal.RADIO STARA new music...
HE IS
Lifting heavy metal.
RADIO STAR
A new music movement is rising to the surface in Huntington Beach --
making waves across the country as local musician Marco Forcone
discovered he could record, edit and mix music using technology on par
with major studios.
“I want everything that comes out of here to be brilliant,” he said in
his garage studio at 1605 Huntington St., the touchstone for 1605
Records, Forcone’s music label.
The 31-year-old drummer and producer is riding high on the sound wave
surf, turning unknown bands -- mostly longtime friends -- into national
hits. “I’ve never recruited a band,” he said. “Everyone has always come
to me through friends.”
Or friends of friends of friends. All the bands have had a communal tie
to Forcone except the Kottonmouth Kings, young neighborhood punks who
loitered around 1605 for years until Forcone felt obligated to produce a
song for them, he said.
“I kept telling them to get out of here, you guys are bugging me,” he
said. “Finally, I caved in and co-wrote a fun, immature song for them.”
That song, “Bump,” is now #38 on the charts.
SOUL MEN SEARCHING
The Kottonmouth Kings are an exception, not the rule in his recording
studio, Forcone said.
“I look for passion, maturity,” he said. “I can tell immediately if
someone really loves what they’re doing or if they’re just doing it to be
cool.”
Although he produces mostly “heavy” bands, Forcone said he appreciates
all music genres and records techno, reggae and blues bands, among
others.
“Atmosphere is very important,” he said.
Working 12-hour days in his tiny, red-walled recording studio, Forcone
said he weathers a biosphere of emotional storms.
“I do whatever it takes to evoke emotion,” he said. “I don’t ever yell at
anybody unless a song calls for it.”
Forcone will go so far as to scream at musicians and kick their chairs
during a “heavy” recording session to tap into their aggression, he said.
“If the emotion isn’t pure, I know it and the audience knows it,” he
said. When he recently recorded an acoustic band, Forcone turned down the
lights and sat on the floor with the performing guitarist. “A major
recording studio is scary, and it tightens you up,” he said. “In my
studio, musicians must be serious, but I want them to feel comfortable.”
PICK UP STICKS
A drummer for the last two decades, Forcone joined the Orange County
music scene when he was 16, playing venues in Anaheim with the Leather
Wolf band during the 1980s heavy metal craze. Once hip hop took over the
music scene, “heavy metal lost its cool,” he said, but it remained his
passion.
Ten years later, hip hop is mainstream music, and is “just as cheesy and
bad as heavy metal was at the end of the 1980s,” he said. “It’s almost an
evolutionary process. Once something becomes huge and everyone is a part
of it, the underground music scene creates something different.”
Forcone’s band, Drown, has weathered its own evolution. After recording
their first album “Hold on to the Hallow,” in 1994 with Electra, the
label dropped the band, and the band’s lead bassist quit, he said. To top
things off, on July 4, 1995, a party at Forcone’s former apartment
morphed into the historic couch-burning riot that forever changed the way
the city celebrates its independence.
“I got a three-day notice from my landlord that I had to move out,” he
said. Drown’s lead singer, who calls himself simply “Lauren,” found the
house at 1605. “We were all looking for a place where we could create our
art,” he said. “When we moved in, it was cockroach-infested, but I didn’t
care. I just wanted a place to work.”
The band finished its fifth national concert tour to promote their second
CD, “Product of a Two Faced World” in May and is working on its next
album. The CD is dedicated “to our friends and fans who stayed down with
us through the hardest three years of our lives.”
NO STRINGS ATTACHED
Through it all, his mom, Molina Forcone, whose own father was a talented
musician, is his biggest support. “She comes to all my concerts,” he
said. “She’s this little Italian woman, and she’ll be yelling and
screaming in the front row with everyone else.”
Scott Pfaff, a 23-year-old 1605 groupie, who co-wrote the music for
“Bump,” said Forcone is unusually humble for someone so talented.
“I’ve known Forcone for three years and he’s never tried to make a buck,”
he said. “He makes enough to pay the rent and then gives everything else
back to his friends and the music scene. It’s really admirable. People
trust and respect him because he really cares that his bands fulfill
their potential.”
Nurturing young bands is just the beginning of Forcone’s contribution to
the music revolution.
“I’ll play drums with Drown until I physically can’t play anymore,”
Forcone said. “Then I’ll just keep producing bands. I’m so turned on to
what I want to do musically that nothing else matters.”
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