The ultimate guide to finding your go-to karaoke songs
Before you read on ...
We ask you to make your first of several choices. Do you want the “radio edit” of this story, which will walk you through moods, vocal ranges and other things to consider when choosing your go-to karaoke song? Or do you want the “album version,” which tacks on more advice and fun personal stories from the experts?
Album version
Adam Jones used to have a karaoke phobia. It began on a family road trip to Palm Springs when he was a kid. He was singing to Boyz II Menâs âEnd of the Roadâ when his older brother interrupted: âDude, shut up,â he said. âNobody wants to hear you sing.â
The insult stuck with him. When he got older, heâd walk into bars, realize it was karaoke night, immediately turn around and leave.
In his late 20s, he reconnected with a friend who had opened a karaoke bar. She made a deal with him: If he sang, sheâd cover his $100 tab. The first time, he paid the bill. The second time, he surrendered.
âI just remember my legs were trembling really bad, my palms were sweaty, my face had to have been beet red, but the whole time Iâm smiling, because when I get nervous, I smile,â he said.
When he finished, he was mortified and wanted to leave. âWhat are you talking about?â his friend said. âYou looked great.â
Over the next year, he sang the same song in the same bar once a month until he got comfortable. Then he picked a second song, and heâd sing the same two songs every time.
âI had put so much pressure on myself, on whether I sounded good or not, and itâs a shame,â Jones said. âOne day, I just didnât care, and once that happened, I had a lot more fun.â
Now he makes his living as a karaoke DJ, or KJ, in Los Angeles. More than anything, he loves when people get the courage to jump onstage for the first time.
Not everyone can sing. But everyone can do karaoke. Whether youâre in front of a crowd at a bar or at a noraebang (a private karaoke room) with a handful of friends, figuring out your go-to karaoke song is key to having a good time with the least amount of self-consciousness.
Tips from the experts
The Times spoke with several karaoke pros and asked for their go-to songs.
Scroll or drag below.
Try a duet. âIf youâre somebody who karaokes a lot, take on the responsibility of welcoming those who donât and singing with them.â
Ask the crowd for help. âIâd sing Bryan Adamsâ âEverything I Do (I Do It for You),â but then thereâs a bridge where he goes really high ... Iâd point the mic at the crowd, and theyâd all sing it for me.â
Go for the unexpected. Those who are multilingual can bring out their singing skills in other languages. Navarroâs Tagalog go-to is âIsang Lahiâ by Regine Velasquez.
Avoid long songs. âNo one wants to listen to you stumble through six minutes of âBohemian Rhapsody,â and a lot of karaoke spots wonât even allow you to sign up for âAmerican Pie.ââ
Go for the unexpected. Hoâs go-to is Bob Dylanâs âSubterranean Homesick Blues.â âItâs like a very honky-tonk kind of band, but then Bob Dylan sings over it in kind of a rap cadence.â
Sing what you like. âPeople feel that energy, people feel your happiness when youâre singing something you love.â
Relax. âMovement helps with singing." Sway a little and donât be too stiff. Also, if it makes you nervous to think of people watching you, just donât make eye contact.
Experts agree that itâs best to curate your own list of songs. But if you arenât sure where to start, here are some factors to consider â and a guide we created with Pandora’s Music Genome Project team that will help you find the ones that work for you.
How to sing versus how to karaoke
Howard Ho said karaoke is about embracing the cheesiness. When he was a kid, his mom encouraged him to participate in her Taiwanese community groupâs karaoke competitions. As an adult, he and his friends were karaoke regulars at Little Tokyoâs Miyako Hotel.
Ho â in addition to being the creator of YouTube videos analyzing the melodies in âEncantoâ and âHamiltonâ â is a composer and sound designer. He doesnât consider singing one of his musical talents. But he knows how to nail a karaoke performance.
âWhen youâre a good singer, you often have your own take on the song,â said Ho. âWhereas with karaoke, youâre trying to relive what itâs like to be a fan of that song.â
People tend to feel the passion behind the karaoke rather than fixate on the actual quality of the vocals, he said.
How to pick your karaoke songs
No matter what the song-selector below suggests, pick a song that you know well. And consider the vibe of the room, as if youâre the host whenever you have the mic.
First consideration: Time period
If youâre not sure where to begin, start with what you liked when you were young, Kiki Park said. One of the things that makes karaoke fun is nostalgia.
âThat song that you sang in middle school is your favorite song,â she said. âYou know every word of that song. You probably sang it with your friends. Youâre emotionally tied to it, and you donât even know it.â
Another reason she suggests your middle-school jams is because thatâs probably before you started getting pretentious with your musical tastes.
Some people will prefer to belt out the oldies. Some will want to test out the new hits. Others might want to consider the crowd in their song decision.
âNot all 21-year-olds will know the â90s songs,â Jones said, recalling a time where he thought heâd kill with Nirvana but was met with silence.
Select time period
Second consideration: Mood
Do you want to get everyone dancing? Do you want to dramatically wallow â or pretend to dramatically wallow â in a breakup song? Do you want to bask in the sweet innocence of teenage love?
âSometimes I think about the lyrics, whether it expresses something that everyone wants to sing along with,â Ho said. âFor example, Journeyâs âDonât Stop Believinââ or Bon Joviâs âLivinâ on a Prayerâ â thereâs a reason those songs work, because everyone can agree on that sentiment.â
Select mood
Third consideration: Vocal range
Itâs helpful to have a sense of how high or low you can sing. There are six broadly defined vocal ranges (which are broken down further for the classically trained). They are, from highest range to lowest:
Most women are mezzo-sopranos, Sarah Cabrera said, whereas most men are bari-tenors â between a baritone and a tenor.
With beginner students, she starts with songs in their lower range.
âWhen we talk, we tend to speak in what we call the chest voice, which is where we set our low notes,â she said. âSo weâre comfortable there.â
And these ranges overlap â for example, altos often can sing tenor songs. Sopranos may be able to sing tenor songs an octave higher, and tenors may be able to sing soprano songs an octave lower. Similarly, mezzo-sopranos may experiment with songs for baritone, altos with bass songs and vice versa.
New Harvard Dictionary of Music
But Park doesnât want people to be discouraged by songs that are out of their vocal range. Many karaoke DJs will adjust the key for you, she said, and private-room karaoke remotes usually have options to modify the key.
Select vocal range
Other considerations
Performance vs. sing-along
There are two main intentions when itâs your turn to sing, Alyssa Navarro said.
âYou can pick a song that youâre going to smash â like a Whitney Houston or a Celine Dion song â and thatâs when you want to show off,â she said. âBut most of the time, to create a vibe, you pick songs that everyone knows to get the crowd moving, like âDancing Queen.ââ
Navarroâs go-to is âSometimesâ by Britney Spears â recently featured as a karaoke performance in the film âFire Islandâ â because itâs a mixture of both.
âItâs a little bit of a show-off song, but people also like to sing along to the chorus because itâs very simple,â she said. âAnd then there are also dance moves.â
If youâre nervous, she said, lean into the sing-along songs so you donât feel alone.
Difficulty
Sometimes the challenge isnât the vocal range but the rhythm. âBecause you can only read so fast,â said Ho. âIf the words are super tongue-twister-y, you kind of have to know it ahead of time.â
Other times, there are harmonies (âCome What Mayâ from âMoulin Rougeâ), vocal textures (âSuckerâ by the Jonas Brothers), key changes (Celine Dionâs âMy Heart Will Go Onâ) or octave jumps (Idina Menzelâs âInto the Unknownâ from âFrozenâ).
Most untrained singers have a range of about an octave and a half, Cabrera explained. Mariah Carey songs like âEmotionsâ or âCanât Let Goâ have a three- to four-octave range.
âIn general, upbeat songs or power ballads are safer choices than slow or sad songs,â said Graeme Hinde. âUnless youâre really confident in the power of your voice.â